The Secret Language of Richy Roosa.  

If all art forms assign one to an effect, it is rational to consider that the performer has a clear implication in this transfer. Although the skills may be present, requiring the exchange allow more inherent. While the talent may allow a run a job well, the evocation of unconscious, in an observer or listener, requires tapping beyond mere talent and skills. Poetry, music and art do not follow any preset rules when one swallows creativity possessed by the instantaneous. Assessing the phenomenon in any way, a treatment or trait taught to keep an organized approach, none has so determined resistance as a concept, like the world of abstraction. This notion has been a fundamental element in the philosophy of Jean Claude Garoute (Tiga), my father, "which Fais tu sais ce of the If you, the Cree pas tu ne" an expression that translates as: "If you are aware of what your doing, you are far from creating"

To create in its exact meaning doctrine does not follow any preset and does not follow any previous path. When you are fully immersed in the art of creating a passageway open, direct access to the inner psyche. Everything is new. Does not repeat anything. The freedom achieved is unlimited. If art is thought to have a purpose, then we must agree that it is double dual. The great art to an artist produces is pure expression, freedom of expression revealed. The end result, if one is in the mind of the true creator, is waking up in a viewer a reaction simply based, not so much what he or she sees, but allowing its own capacity, or her. Abstract art removed representationalism of eyes looking for what and what is the routine, familiar, anticipated, predictability.

Anyone who does not want to do more than look, the look, is blinded, are hidden or denied, the set of possibilities, all present and waiting to be substantially exposed.

A person who prefers to pause in the artistic repertoire Richy on Roosa undeniably would agree that: the man speaks well. There is more to this one to be versatile artist. This trip is perceptible to abstraction it fits perfectly. In its underlying components as undisclosed territory, a spirit of expression away from the hint of tropical breezes, the hues of the ocean and of any ethnic affiliation. Yet his art is very authentic and pure source-self, his own. This certainly is not made possible by the artist himself, but the product of the hidden energy in the art allowing Richy Roosa not only be, but completely in the trial ride, about the true abstract art.

The nineteenth century ended up bringing a new value to the realm of painting, which was much more figurative in the previous period. font-family: "> The art in general was seen as an invitation to represent. Not much was talked about the fact because of the evidence. Why would one even through the process of looking at a piece or artwork, if not to" see "an image? thank goodness for the change in beliefs and views of male and female viewers / as. However, it took time to artists, freed from the molds of figuration, leaping beyond the traditional, crashing with restrictions to allow expanded art. The maverick in life, provided their own awakening allowing themselves to experience, watching the paint differently. Going beyond what be-seen, in the ways of art, surpassing the Art communion maimed, reuniting its parts and perspectives. font-family: ">

In my opinion, the greatest impact among the artists and the audience is to understand the secret language spoken and heard each other. In my deep silence I felt unfair to have never been in love with a painter. Have been possible and certainly such love, had been such a pleasure to make love to this man in public, under the noses of everyone, while remaining absolutely quiet. The artist's world is an open book, an invitation to that. But as my father in his philosophy says ... "you should know about writing to engage in conversation." The world of an artist has a door. While all the doors open with a key, however, a need right key to open the door to achieve specific.

This key was shown to have value when a movement in France not only left the door open, but instead changed the focus on the primary purpose of the painting. The evocation of feelings and emotions "in comparison with the portrait showed superior performance. There was suddenly new avenues to explore. From creators and viewers a new perspective was developed: to find the wings in the excavation, expressing, creating, presenting, collaborating and interacting. Abstract art is not a free for all or open to anyone, even if the artist would have been satisfied if all could benefit from such an invitation. The original intent is a solo act, a solo event. The observer or / to filter the truth through their own sense, his encounter with one's conscience and the other half, represented by the artist to look at a painting or an art installation as an added value, superlative. But for the operator, his duty is in itself, not anyone else. There may be no interaction ever, if the witness is not equipped. Since the visual abstraction of reality unconventional deployed to the naked eye, looking only at what they are: Color, texture, line and recurrences.

Then by carefully examining the range of Richy Rossa, it is clear that although he has grown into a community where uplifting painting, foundation tends to figuration, he happily found her niche in the singular. Nothing about his art provides a Dominican tropical soul, yet it is much more and goes further, extending beyond such limits. Its performance is supported by additional values characteristic of the true artist, true. Universality is not the territory, whatever it is, but the operator and his ability to make things happen. Creation does not need any authorization or national identity card to grant access welfare lap recording. Experimentation is the most comprehensive creative moment in poetry and music ... a visual artist opens an endless path in expressing himself. It is an ongoing process. The consumer, the witness happens to look in part, contained in the timing, on the canvas, but the mind of a true artist never stops creating. There is no life without this constant natural pull. Do everything else can see that a true artist around something else, an otherness. Being in contact with the unconscious part of his life comes without effort in the case of the artist.

Experimentation, and unprecedented freedom through the creation in the works of Richy Rossa evokes unconscious feelings and emotions in the viewer. However, make no mistake either, to believe that any observer will get your point. As the moon has been hanging freely over their heads for generations, anyone with eyes wide open when I finally saw the roof of the barn burned down.

Art is not something achievable for anyone willing or not trained, accessible by simply opening the eye. Abstraction eyes and demand rather than time, when clearly figure out what the right path in front of you. It was not until the twentieth century, more artists were able to understand what underlay beneath the surface of consciousness, and could not only make you feel good to observers or the public, alerting or waking up from their own knowledge inactive. The above concept is the fact that while the eyes are seeing, are mere tools. The easy to infiltrate beyond that represented by the artwork required more than eyes. Allowed one to process more when preconception or prejudice are not an observer in a state of nothingness or nothing.

The literal bridge is not easy when one is faced with a work of art behind an impenetrable stand of emotion comatose. In the world of abstraction, the advantage of an open eye, ignoring any additional factor could prove costly, lost out completely. The more abstract the art work, the lower the prejudices or preconceptions, evoking in the mind of the beholder. Responsible in the annals of art history, many new chapters were added due to the entry of the subject of abstract art in the visual arena. Health And what brought this enrichment in variety, the art of traditional trends! The unconscious has found a voice in the hands of artists not afraid to jump or violate the rules.

A group of men in France untied the knots restrictive allowing painters modulate the line and flourishing, representational. Yes, this flowering resulted in a more abstract work of art but nevertheless much more authentic. I always wondered whether life exists unconsciously and lies beneath the skin of the perception and develop forward thinking, why express this singular truth contained, using formatted and prescribed guidelines?.

An expert teacher when he does speak well the domains of abstract art talk much. Are we to listen to competent observers also compared with only-see, production or use of language? Whatever feedback, or monitoring, of course, the part or product, treatment is completed, a conventionality between the parties, a poem, a musical piece performed. The approval or success, is not an artistic concern, concern of the artist is not authentic. No However, when it reveals a change in delivery or public exhibition without the help of the observer, the process becomes a monologue. When a state of readiness of the observers or the public solves half of the communication process, the languages involved, the manner and style of the artist, then art becomes mutual growth, becomes more than a meaningful tool. The art provides an interactive platform unexplained unconscious. If the art gives a facility to express the unseen, where is the beauty of having to explain a piece of art to a viewer? The interaction between art and observers should not become a lesson, but a celebration. The art is simply a manifestation of self, of self-consciousness. How does one describe in words that do not have no beginning and no end? How has the audacity to try an unravel at first glance and without internal maturity the inner domain of the senses or meanings unusual or family? Abstract art even trained eyes can not turn a reaction if and when their natural receptors are not ignored.

Having the ability to be in the state of mind enabling one to listen instead of just listening is a need to share the vision of an abstract artist. Those who share the elimination of any of the expectations of the influence produced freedom to experiment away from ritual, from the practical and symbolic Kandinsky's theoretical systematization. Based on this factor many abstract movements were established, thus explicitly contradicting the rationale, in which functionally break, a pro-art to the aesthetic ideas, tastes and worldview, most of the population and art consumers. If art is not deleted, how then could place limits on the art of creation? If creativity never needed a pretext to suppress this expectation, the stage described as action painting Pollock proved the point that he reiterated this notion. Art has moved away from the decorative connotation. You are creating no more exploited for the sole purpose of illustration of the idea, an image that preserves or partially covers a story. The set allows a natural adventure involved if you allow me the analogy ... the author, and visionary artwork. The artist says. The work, the piece is. Viewers do the rest. With the observation the canvas, the piece, the work reveals a more direct conduit and less restrained in the unconsciousness of the maneuver.

The approach is universal, yet in a sense of the individual approval must be present. All we can do, to some degree, maybe more in time we can, it to some degree, although most of the time we are unaware of what we are doing. Freedom of expression not only allows an artist to dig, the viewer must freefall experience to access freedom beyond the borders also to apprehend from personal involvement in this process. Yes, it is unambiguous. Art is an obvious invitation to participate. For the hidden virtues of freedom of artistic creation, the piece is not subject to the spectator point of view to exist. Moreover, any interaction missing on this interactive level, makes the artist a freedom from guilt. The cycle is completed when a viewer combines forces with the artist, but the end result is not necessary to validate the creation. We must also agree that a can not combine that which is not present, which is out of our hands.

The process alone, in the production phase or structure of meaning in a painting is effective when it taps into your unconscious, the observer, solitary process leads to another reception, only a vigilant process of waking. Barring the above, and the clearance of self-conscious observer all preconceptions to be open to being influenced by the work, or there will be nothing productive. What we see now is a proactive vision, a genuine offer inside. Any observer who wishes to be let go, giving himself completely in the hands of artist, coming to be constituted by such a route into a more receptive, who alternately allows the work of art, take the witness who want wherever you want. Collaboration is often lacking because humans are too concerned with fees or referral patterns pursuing or looking to create.

Richy Roosa who taps into the untamed and irrational forces gives life and definition to what it means to be human. His art embodies the territory, however, that drifts or jumps out of the norm, transgress. His art is by far the facility where he dwells. The location does not make a artist, creating if it is an artist. The location does not portray the creator. His art does. The free spirit has a cost. Being responsible for oneself is the exchange. Art is covering but the singular act of creation. I doubt this particular Dominican artist's familiar, an author and Tad Bonieki, yet at its meeting exhibited obvious multidimensional online exhibit, I could not help thinking that Richy has crashed Roosa territorial obstacles in producing works of memorable art, sometimes in anticipation of his time. The artistic work pays off in the verification of the language of freedom, with the art of expression. His works of art speak loud and clear. I am grateful for the opportunity to not only enjoy the visual conversation with Richy Roosa at a distance, but sharing also dialogue with other authors that I consider important.

Kafe-Pascal Garoute

Fort Lauderhill, Florida, USA

December 31, 2008 ">

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